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Veril​ä​iskiä

by The Demars

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multa
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multa I was made aware of this EP years ago, yet only now it occurred to me to look for it on Bandcamp. Artless spontaneity on a level that Daoist adepts can only dream of. Favorite track: Salimuna.
sokeripupu
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Orest Smovzh (stillneedwhiskers)
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hellhonour
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    NOTE: this digital version was mastered from vinyl
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  • Full Digital Discography

    61
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Soul Moth, Zimbatò, Motorella, Sushi Jugend, Mikko Lagerbohm, Mineral Kingdom, The Parels, varie/azioni, and 53 more. , and , .

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1.
Veriteot 00:30
2.
Lahnat Ja Patikointimies 00:48
3.
Paskan Lemu 01:35
4.
Sama 00:43
5.
Veriläiskiä 00:44
6.
Roihuat 01:12
7.
Salimuna 00:29
8.
Pimppimuna 00:43
9.
Pimppitissimuna 00:50
10.
Kissimirrimuna 00:12
11.
Parta Ja Temmellys 00:27
12.
Pallomainen Vittu 00:55

about

LAL-15 / KPK-8
7" EP, released in 2004.

Released in a serie of Kolme Pientä Kustantajaa - a collaboration release channel of small Finnish labels.

"OK, so this is demented hardcore and not jazz. The mythologizing liner notes speak of “the joy of improvisation and making a racket,” but that’s what Albert Ayler did so well, and Yakastuma Eye has made a damn fine career out of making a racket. Supposedly made by two adolescent cousins, the eight-year old lead singer spews tantrum-like stream of consciousness lyrics over speed metal drum machine beats and flailing feedback punk riffs. The Demars is kind of record that culture mavens point to and say, “See how our children are being corrupted!” They should instead be happy that the little rugrats have a hobby. I say it’s all good, demented fun." - Matthew Wuethrich, All About Jazz

"The Demars were an improvising hardcore punk outfit from Pori, Finland (same hometown as Circle), who existed between 1994-97. Supposedly they recorded over 450 songs during their life cycle, and a dozen of best are on The Demars (Lal Lal Lal 15 7"). The tunes are built around primitive guitar riffs, splatting rhtyhm box action, and vocals that sound like they were recorded in a sandbox. What results is something very much like a good (even great) version of those kiddie punk groups from California that always looked so promising on paper, but sounded so loathsome on the turntable. This stuff is obviously being created at about ten times the speed of thought, and the wildness with which it flies from my speakers is a testament to the sheer recklessness of youth." - Byron Coley / The Wire

credits

released July 15, 2020

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